Event Production Network
I was talking with a fellow FOH engineer about the desk starting point of input gain for all mic's at a live event. I start at "UNITY" then EQ, Compress (if needed) then adjust faders to about the same db for all channel inputs (some where about…Continue
HAS ANYONE USED AN ETERNAL CLOCK ON A YAMAHA CL5? I KNOW IT HELPS M7 AND 5D CONSOLES. YAMAHA CLAIMS IT WILL NOT BENEFIT THE CL5. HAS ANYONE TRIED THIS?THANKS!Continue
Howdy folks! This discussion topic may only be relevant to the grey beards like myself out there. In reading gigs in the 70’s there seems to be quite a few. Question: Given the knowledge amassed over 35+ years of events and touring; when…Continue
So I spent a while reading through all of the details on this new guy coming along. It looks to me like they pulled some of the best features from Midas (the masters screen, colors, vca/pop), Soundcraft Vi (center screen setup), Digico (encoder…Continue
This question popped into my head a couple of days ago.Do you think that it's easier for a FOH engineer to move to monitors or for a Monitor Engineer to move to FOH. Or do you think that both areas are too different to compare?Continue
Ok the weather has broken in most places at least and the summer outdoor season has begun. Open stretches of green grass, gray concrete surrounded by either a picture perfect green space or hard sound reflecting buildings. There's always a chance of…Continue
Last month I used some adamson y 18 boxes and wow! I was blown away! How come They are so rare and I have never come across them? And how do you think they hold up against Meyer, ev, and eaw and so on?